In NME’s full interview with the Utah Saints, the two talk about how they approached writing for a video game, how the group rediscovered themselves, and even about that time. ![]() Hopefully, it’ll keep a foot in nostalgia and a foot in the future, like our music, so that’s great. We looked at the scenery and thought it looked like an ace. “A lot of people were walking home from night out, relatively drunk, and just playing video games. Willis says, “The way it was pitched, we were doing this game, and it’s in the style of Streets of Rage, probably the most iconic soundtrack because it really did well in club culture at the time. We are ready for it, especially given the style of the game.” “He’s worked with Bitmap Bureau before and asked if we’d like to get involved, and we’re always looking to do cool new things. “We Know Lee” For quite a long time, and he’s always been into his video games,” Garbutt says. The Utah Saints’ contribution to Final Vengeance marks the release of Willis & Garbutt, the group’s first new music in more than a decade, and the two told NME how they got involved: You can hear the reveal of the Utah Saints’ new track ‘No Turning Back’ below:ĭeveloped by Bitmap Bureau, Final Vendetta is beat in the vein of genre classics like Streets of Rage, playable for one to two players. The chart-topping group Jez Willis and Tim Garbutt composed four tracks for Final Vendetta, with Lee “Featurecast” Mintram composing the soundtrack. ’90s electronic dance duo the Utah Saints are bringing back some of the music from the upcoming Beat ‘Em Up Final Vendetta, and you can check out one of the tracks below.
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